Europe Mask History Part 3

As much as there was celebration in Europe, there was horror, In 13^th century Europe, the Black Death. Masks have a role to play even in this dark period. The pandemic wasted the country side, killing hundreds of millions of people. During this time, plague doctors would go from home to home to tend the sick. The mask they wore, while intending to be protective, also became a symbol of the plague itself. The mask, called the bird mask, looked just like that. It had a long beak, sometimes up to half a metre (1.5 feet) in length. The protective intent was in the beak itself; they were believed to be filled with herbs to help protect them from the airborne virus. The herbs also helped to stave off the smell of the dead and dying around them. It was believed during that time that the virus was from birds, so possibly the bird head was a way to try and ward off other birds and possibly the virus in some manner. What is also interesting to note, though seldom mentioned, is that the bird head often resembled that of a raven, a bird associated with death. For the poor person suffering from the plague, a visit by the doctor was a signal that the end was near. Many died with the beaked head being the last thing they saw before leaving this world.

Masks would have another dark use duing the middle ages. Rome was advancing quickly with technologies, such as running and heated water, paved roads, and a bustling economy. Rome was also becoming a bloodthirsty society, and the dungeons were filled with those who had felt Rome’s wrath. Torture was in regular use, and masks would play a violent part in this age. Ranging from simple iron masks which held the captive in perpetual darkness (respectively speaking a symbolic “slap on the wrist”), to head pieces which would choke, maim and kill. The masks, often in grotesque shapes and forms, had a psychological effect on those who were to sentenced to wear them, instilling fear in the intended victims. Masks ranged from a “bridal’s scold”, a mask that had a hinged piece of metal that went in the mouth, forcing the victim to close their mouth in order to relive pressure, but also preventing them from talking. Similar masks, often adorned with long tongues and big ears, were worn by shamed people accused of gossip and heresy. They would often sit in town squares to be humiliated and jeered by the townsfolk.

From the 14^th to the early 16^th centuries, processional theatre went on the move, and masks went with them. Travelling in carts and carriages, theatre troupes would travel from town to town, performing for alms, food and shelter. In Spain, we can also see performers putting on mini performances, going from town to town, with a number of “sets” making up one play. These productions would become often more farcical with bawdy humour, much to the delight of the townsfolk. This continued until end of the 16^th century. At this point, Protestant Reformers were growing in the countries. They took offense at this theatre and attempt to quash it and the masks they wore. It seemed a repeat of the 5^th Century “Dark Ages”. An exception is with the Catholic Church, who feels theatre is important, provided is “dogmatically correct”, so theatre survives in some places under this form until the 18^th Century.

The Age of Enlightenment was growing. Spirituality, theatre, and symbolism were slowly becoming seen as unnecessary. Logic, science, and a greater understanding of the universe were now important. Masks would disappear with the arts and rituals for the next century as an attempt to place science at the forefront of society. So during this time masks were once again confined to the dustbin of history. The enlightenment would continue until the close to the 19^th century-the French revolution and similar started to change the tides.Some suggest that, while logic and intelligence was important, education was also important. Because it was only the upper classes that could obtain education, it became a case of “have and have not”. As a result, the poor were seen as unimportant and pushed down. The revolution would change this as freedom of expression, including art and spirituality would again come to the forefront. Masks would come forth again in theatre and Carnival.

The celebrations continued, though even the celebrations seemed to be getting carried away. Violence and out of control rowdiness brought things to a close. The Carnival in Venice was stopped in 1797, which is surprising considering that it survived through the days of Enlightenment where the rest of Europe was asked to put down mask use and theatre.